Edgar Allan Poe often set the scenes of his stories and poems with music: angels have the heartstrings of lutes, spirits dance, and women speak with melodic voices. These musical ideas appear to mimic the ways other authors, particularly Romanticists, used music in their works to represent a spiritual ideal artistic realm. Music brought forth the otherworldly, and spoke to the possible transcendence of the human spirit. Yet, Poe's music differs from these Romantic notions in ways that, although not immediately perceptible in each individual instance, cohere to invert Romantic idealism. For Poe, artistic transcendence is impossible, the metaphysical realm is unreachable, and humans cannot perceive anything but their own failure of spirit. In this book, I show how we can look at Poe's poems and stories on the whole to discover this, and in doing so, unpack some of Poe's mysticism along the way.
The Final Days of Edgar Allan Poe, by David F. Gaylin, has been "recommended for all readers" by Choice Reviews and was listed in their Community College Top 75 titles.
"This engaging collection redresses the balance of Poe studies to consider his work from the perspective of women, those in his works and those reading them. . . . [It] offers a welcome emphasis on the irrepressibility of women in his work who ‘die but do not stay dead’"
Very much in the spirit of Robertson's many impacts on our field, this collection opens a range of fascinating apertures into the medieval literary world that promise to be useful, both to fellow scholars and in a variety of literature classrooms.
New Directions in Medieval Mystical and Devotional Literature not only makes a fitting tribute to a beloved scholar and teacher; it constitutes a significant contribution to the field in its own right. The essays in this beautifully presented book will be essential reading for anyone interested in late-medieval vernacular theology and its reception, both in England and beyond.
--Nicholas Watson, professor of English, Harvard University
Dolan and Labbe’s wide-ranging yet cohesive collection of essays offers a comprehensive and convincing breadth that succeeds in its mission of placing Charlotte Smith. Beyond Smithian scholarship, the volume comes at a prescient time.
--Heather Heckman-McKenna University of Missouri-Columbia
Bowden delves into each case study so expansively that at the end of reading the book, the reader has been immersed in many different eighteenth-century cultural worlds. This is an immensely learned and valuable book that dares to be different and, as a result, breaks new ground.
-- Marion Turner, Jesus College, University of Oxford
Our Osage Hills: Toward an Osage Ecology and Tribalography of the Early Twentieth Century is a significant work. Snyder uses Mathews’ columns as a window into Mathews’ understanding of the Osage, its geology, its flora and fauna, as well as its human inhabitants.
